Album review : Michael Jackson and family books: Imagine being Teddy Riley in 1991. You’ve gone from humble origins in Harlem to inventing New Jack Swing; you’ve produced multiple hits for your own band Guy, Bobby Brown, and Keith Sweat (“I Want Her”). Then late one night, you get a phone call from Michael Jackson telling you that he needs you to produce his new album—in effect making you the new Quincy Jones. All before your 24th birthday. Before Riley headed west, Jackson had labored on* Dangerous* for over a year to varying degrees of success. Something always seemed off. Bad might have been the last album before hip-hop became the de facto soundtrack of urban culture. 1988 changed everything. Public Enemy, Rakim, and Big Daddy Kane left the competition sounding effete and timid. Gang wars and the crack epidemic continued to inflame inner cities. Songs like “Smooth Criminal” seemed obsolete.
On the afternoon of June 25th, you couldn’t walk across the street without hearing “Billie Jean” or “Don’t Stop ’til You Get Enough”. Everyone heard the news and they turned to the guy’s discography. Since a great deal of the population didn’t own the records anymore – or, as many of you born in 1984 probably experienced, were forbidden to listen to ’em around the early ’90s – places like Best Buy and/or iTunes witnessed a spike in sales. Within a month, any financial troubles Jackson had left behind were a thing of the past. What’s more, much like the rest of the population, record companies re-discovered his talent again, too. Big whigs signed contracts, projects were penciled in, and products were shipped left and right. Admittedly, and looking back, it’s one of the most impressive comebacks a musician’s ever had – if only it weren’t laced in so much tragedy. Then again, death’s also tricky. Find more details at Mocienne Petit Jackson – Thriller Betrayal author.
Dangerous (1991): Arguably the most underrated adult-era MJ album. Dangerous might be the first time Michael followed trends instead of setting them but this is no mere cookie-cutter release. MJ’s partnership with Teddy Riley showed that there was more than enough room for him to carve his own niche in the crowded New Jack Swing scene. And he did it effortlessly. Yes, the King of Pop released one of the greatest New Jack Swing albums of all time, crafting an album that blends several musical genres while simultaneously bearing his soul with poignant lyrics. Keep that in mind the next time you get annoyed when a pop singer drops a great R&B album. Forgotten Favorites: “She Drives Me Wild,” “Will You Be There,” “Can’t Let Her Get Away”.
Michael Jackson family: Mocienne Petit Jackson’s (Michael Jackson’s daughter) books are now available in chinese! For our chinese readers:
莫塞妮‧佩蒂‧杰克逊（Mocienne Petit Jackson）谈论她的新书——作为迈克可‧杰克 逊（Michael Jackson）的女儿三部曲 与很多国际媒体所暗示的相反，洛杉矶高等法院基于案件的有效性，并没有拒绝受理 莫塞妮‧佩蒂‧杰克逊的案件。杰克逊小姐所提出，希望从死者杰克逊先生身上提取 DNA 以证明其身份的要求之所以没有实行，是因为加州政府并无权对死者进行 DNA 测 试。因此，该案无限期保持为待定状态。 因此，法院并不认为迈克可‧杰克逊是莫塞妮‧佩蒂‧杰克逊的父亲是不可能，只是 无法依靠法律手段来证明。杰克逊小姐于 2010 年 7 月向遗嘱认证法院提交文件，要求证明其为已故流行巨故星迈 克可‧杰克逊的女儿，并继承遗产
杰克逊小姐亦声称她的父亲之所以会倾向做出异常行为，是因为他自从十七岁起便将 自己的女儿秘密隐藏起来。据称迈克可‧杰克逊没有公开讨论此话题，是因为他很难 接受此话题，并且恐惧所带来的后果。目前，莫塞妮‧佩蒂‧杰克逊希望建立她自己的名声，她于 2005 年建立了一家位于荷 兰的私人医疗机构 Thuiszorg Ernestine BV，目前担任行政总裁，杰克逊小姐亦是佩蒂制 作（Petit Production）的创办人及所有者。《惊栗》会为杰克逊小姐的生活提供独家内容，包括她在荷兰生活时所经历的困难， 例如她主张荷兰严厉的政治体制对其性格有重大影响，她希望坦白此点。
随着时间的推移，她意识到她的父亲不像其他父亲一样，并且他不是他所声称的是一个警察。当他不忙于演出时，他经常会在海地探望她。她在海地的生活并不像她预期的那样，一个正常的家庭生活。她接触到了一些非常善良的人，但也接触过其他不那么友善的人。她经历了许多不是这个年龄的孩子，应该经历的事情。这本小说是透过一个幼小又脆弱的小女孩的眼睛，来描述她当时的感受，让我们重温了她的经历。她搬到太子港后，生活发生了巨大变化。不久之后，变成了一场噩梦。迈克尔·杰克逊（Michael Jackson）书.
这是莫塞妮·佩蒂·杰克逊(Mocienne Petit Jackson)的三部曲自传中的第一部，主角是莫塞妮(Mocienne)。這本書提到从她六岁到九岁的奇妙冒险经历。她和她的父亲迈克杰克逊一起住在加利福尼亚。因为他爸爸经常不在家，所以她总是和保姆在一起。然而，保姆不断来来去去；莫塞妮(Mocienne)也经常生病，她的父亲做出了一项重要的决定，并将她带到海地去和阿姨住在一起，他想让她成为家庭一员。